Whatever the reason, it is still fascinating to see a piece begin tonal and expand into serialism--its almost as if we are being let into Stravinsky's mind, thought process, and journey in and out of tonality-- a rare opportunity.
Monday, May 9, 2011
Agon: The First 12-Tone Ballet
Stravinsky wrote Agon between the years of 1953-57 (Stravinsky began writing in 1953 and then took a break to work on another piece). It is known for being the first 12-tone ballet-- something very controversial for the time. What I find most interesting is that it is not completely serial, that is, the piece begins tonal and develops into serialism as Stravinsky begins implementing the 12-tone technique. Only a portion of the 24 minute Ballet is technically classified as "serial". Theorists have tried to decode the reason for mixed executions by Stravinsky, some say that he started as a tonal composer and when he returned to the piece he was a serialist--although that time line doesn't exactly make sense because it has been revealed that some of the serialism had been employed before his break from Agon.
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